Poems by John Keats are a beginning of inspiration. He plays with his readers and takes them to topographic points and times with his words. What inspiration does Keats convey? He animate his readers to travel beyond his words and detect a new universe he creates. He makes his words so colourful and alive it is about musical to the ear. When one reads Keats. he wonders what’s in his bosom when he wrote his peculiar verse form and makes him desire to be in Keats universe and senses. In this peculiar reappraisal. I tried to see Keats universe of fall from afar. A universe detached. to objectively analyze and look at fall as Keats paints it with his words. I besides wanted to acquire a position of Keat’s manner with words. of how he uses them as a vehicle for others to travel to his universe.
In this same reappraisal. I tried to see the universe that Keats created and experience both the experience of his symbols and my comprehension of what he symbolizes fall to be. The formal and thematic facet of the verse form will be commented on but this reading will be blunt as I believe Keats wanted his verse form read. 1 2 Throughout the three stanzas of the verse form. Keats has maintained the 10 syllable step of each line. although. the foot step of syllable stressed is a small slacked. As in the lines. “Who hath non seen thee frequently amid thy shop? Sometimes whoever seeks abroad may find” and some more.
Reading aloud the poetry. Drows’d with the smoke of poppies. while thy hook spares the following swath and all its twined flowers: I could non rather place the emphasis of the syllables to make a rhythmic sound. I call it literary licence. Keats permit his reader to do a determination and take the manner to voice his verse form. The first stanza is vivacious and tells us of premium. It is a direct contradiction of fall or autumn as the season is the clip when trees begin to bare its foliages and fruits are scarce. But in this verse form. Keats describes fall as the flood tide of summer. ”Season of mists and laid-back fecundity. Close bosom-friend of the maturating Sun ; ” mist and mellow here are used as a welcoming scenario to a universe filled with life and green goods.
The last word of the first line fecundity riming with bless on the 3rd line and prolonging the rhythmic graduated table throughout the stanza gives a musical air as one reads the verse form aloud. The stanza tells us besides of a promise of continuity. “To swell the calabash. and plummet the Pomaderris apetala shells with a sweet meat ; to put budding more. and still more. ulterior flowers for the bees. ” true to the beat of his poetries. Keats described autumn as a clip when seeds are planted for life to go on. It tells as of a beginning of a season. fresh and ready for a new experience in a mode where the season before it. which is summer. in the celebrations of plentifulness and non as a deceasing season ready to be forgotten and left buttocks.
Fall in Keats” dedication receives Summer’s gift of plentifulness. it began as a flood tide of summer and therefore. promise to be a season 3 of new finds and non every bit black as casting away the foliages of trees to forgetfulness. In the 2nd stanza. the word flowers does non rime with any other words at the terminal of each line. I need to read the poem aloud and detect a beat for it to do the verse form alive. it gets into a perfect rime with the word “spares’ if that’s where I put the step at the terminal of the first line. therefore. “ Drows’d with the smoke of poppies. while thy hook Spares / the following swath and all its twined flowers. ”
The same with the last two lines of the 2nd stanza. “Or by a cyder-press. with patient expression. Thou watchest the last seepages hours by hours. ” by merely reiterating the word. the apparently ignored rime is captured. This is my personal penchant of puting the rhythmic form of voicing the verse form. although. the rhyme form of the three stanzas comes out to be ababacacaaa. ababcdecdde. and ababcdecdde. in this peculiar order. It can be observed that the first stanza follows an independent rime form from the other two stanzas. Keats may hold done it deliberately to emphasize the alteration of tone of the 2nd stanza that is presented as a inquiry.
Why could Keats hold done this? As I get absorbed in the fall scenario of the first stanza. experiencing the cool air and seeing loaded apple trees bend. the mossed bungalow. the vines and more. experiencing the flood tide of summer shared into the start of fall. and as I get lost to the universe that Keats painted with his words. person shoots a inquiry like. ”Who hath non seen thee frequently amid thy shop? ” and I was reminded that I am non entirely. It was non even a inquiry in the sense that Keats emphasized the beauty of the season being one that can non be ignored.
If he likened autumn as a phase of life’s journey and we choose the waies that we travel on. in the roads we took as we travel in this universe. we met people to maintain us company. 4 sometimes partway. the greatest thing possibly is to happen beauty in life that keeps us company all through the journey. Reading the 2nd stanza brings another inquiry to my head. What do I truly seek for in this life? Why does Keats made me inquire this when he wrote. “Sometimes whoever seeks abroad may happen Thee sitting careless on a granary floor. ” What Keats said in this line is that there are people who sought for things in this life off from where they truly are and in fact. what they are seeking for is merely within range.
Very clearly he meant felicity. he meant beauty of life. the beauty of life in the here and now. Keats wanted to state his readers that we need non wait for what we can accomplish in the hereafter to see the joy of being alive. We need merely to be cognizant of the approvals we could happen in the present to experience that joy that we seek for in our journey. The 3rd stanza is a proof of the 2nd stanza both in signifier and reading. I noticed that both have the same rime form and both starts with a inquiry.
It tells us of work forces looking out for joy excessively far out as in spring in fall neglecting to detect that joy is merely within range. “ : Where are the vocals of spring? Ay. where are they? ” . Keats wanted us to cognize that in this life’s journey. felicity is non about the things we reap in the hereafter but of happening felicity in every enterprise that we do without waiting for whatever fruits or wagess we earned as a consequence of our plants. He tells us that like spring or summer or winter. fall carries within itself its ain music like the lamenting choir of little gnats. the loud bleats of adult lambs. the vocals of crickets. the whistlings from garden croft. the chirrup of the sups.
Keats wanted his readers to detect them. The pick of the word “wailful” . the reader can about hear the liquid autumn of cryings of the gnats” plaintive music. Sad. yet in Keats universe of words 5 they represented life’s emotions that finally gives intending to everyone’s being. He pictures autumn’s soft deceasing twenty-four hours with rose-colored chromaticities and non with the black Grey or the deceasing inkiness of the welcoming dark. but of sunglassess of the rose. full of life. full of promise. possibly of another twenty-four hours in front. a goodnights slumber. a beautiful dream. a walk in the Moon? Or whatever the good life brings in the 3rd portion of man’ life.
The verse form is non needfully strict with the academic signifier of the verse form although every bit much as possible Keats wanted to adhere to the scholarly it dictates. In this signifier. the verse form creates a character of free spirit and that refused to be tamed. The three stanzas O f the verse form expresses a subject. It follows a signifier esteeming rime. step. beat. colour. and all the components of this signifier of literature. Yet. it does waver to put away the conventional to show the psyche of his look as Keats recreation from the riming form to the rhyming form he followed on the 2nd and 3rd stanza. The syllabic step of the words spares and flowers are left to the determination of the reader. doing the reader an active participant to the reading of the verse form.
The three parts of the verse form suggest the three phases of man’s life at a point of position. being at birth and early life. adulthood and eventually at the aureate old age of adult male. But Keats merely suggest. because all three speaks of seeking the joy of happening the beauty that life brings. The verse form itself. as a signifier. is music to the ears. His drama of beat. rime. and pick of words. in the context of emotionally attaching the ego during its voice is like listening to the music of nature. The verse form vividly expressed the colourss of fall utilizing nature’s characters as in “rosy hue” . It does non tout with drawn-out lines. legion stanzas. academic words to show the simpleness of basking life. in life’s term. 6
The verse form “To Autumn” is a metaphor. Keats represented the season as man’s objects of his enterprises. In the same mode. the times of the seasons’ yearss represented man’s three phases in life. Why has Keats chosen fall to stand for ingredients of life’s journey? Possibly because of the colourss it creates as the season journeys towards another. Possibly because fall carries with itself the fruitful crop of summer and links itself to the readying winter does for a new life in spring. All these are guesss. and these guesss made me look into my life and my attitudes towards life as a journey.
A batch of readings had considered “To Autumn” as one of the greatest odes that Keats had written. “Written in September of 1819. this piece is regarded as his most achieved ode. ” 1. If all signifiers of composing. in different grades of efforts purposes to pull strings the reader’s head to a certain manner of contemplation. so Keats’ has manipulated mine into a romantic manner of communing with nature as a tool of contemplation.
He has vividly painted a image of a season with words so successfully so that its signifier takes life and invited its readers to see the joys of the season. It invited everyone to bury about worrying so much about future and take the joys of life in the here and now.
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