I think Steinbeck nowadayss Curley’s married woman as a adult female who loves attending off any adult male and because of how she gets ignored from most of them and Curley. it makes her desire more attending from them.
Steinbeck tells the reader a batch about Curley’s married woman by her visual aspect. ‘Her fingernails were ruddy. ’ and ‘She had full. rouged lips’ this tells the reader a batch about her by how Steinbeck has used the coloring material red for her lips and nails because ruddy is a coloring material that represents love. seduction. danger and passion. This automatically tells the reader that Curley’s married woman is a adult female that is a small adventuresome with work forces. How he mentions that she is really to a great extent made up and describes in item what she is have oning shows that she has a batch of clip to make her self up because she has nil to make in the twenty-four hours clip. When you read on in the narrative it tells you that she is clearly dolling her ego up a batch for the work forces on the spread every bit good as Curley. Her whole visual aspect shows that she is a adult female that cares what she looks likes and evidently wants to affect. At the start of the paragraph it reads how the sunshine was cut off when she came towards the door and this gives the reader a image in their caput of something bad and cryptic is coming along that’s cut off the sunshine. Steinbeck presents her raw through her visual aspect as a coquette that lives off the attending off all the work forces on the spread.
Curley’s wife’s actions tell the reader a batch about her. ‘She put her custodies behind her back and leaned against the door frame so that her organic structure was thrown frontward. ’ Steinbeck is demoing that she is confident about herself and is non afraid to flash herself to other work forces. The manner he described her throwing her organic structure forward says she is seeking to chat up with the work forces on the spread utilizing organic structure linguistic communication by forcing her thorax out. ‘She looked at her fingernails. ’ This is like she is looking at her finger nails so it looks like she has something better to make than speak to them. but in existent fact she wants to speak to them but she don’t want to look to send on and desperate to speak to them. she is seeking to do it look that she is a small bored of the conversation with them. I think Steinbeck is demoing that she is chat uping with the work forces but being cagey with it by doing it look like she has better things to make. Curley’s married woman is shown to be unimportant in the novel as she is ever told when she starts a conversation with the work forces on the spread. non of them have the clip of twenty-four hours for her and they don’t want to speak to her. She is besides referred to all the manner through the drama as ’Curley’s wife’ . this tells the reader that she is non of import as she is non even given a name throughout the drama.
A batch of things that Curley’s married woman says shows how Steinbeck has presented her as a coquettish adult female. ‘you’re the new chaps that merely come. ain’t ya? ’ how she throws her organic structure against the wall. sticks her thorax out and says this shows that she is flirty because she I seeking to get down a conversation with the work forces by inquiring them if they are the new chap. she is seeking to acquire to cognize them and is decently anticipating them to turn around and present themselves to her but they don’t they try to maintain the conversation space and merely reply what she wants to cognize. When she says ‘Nobody can’t fault a individual for lookin’ . ’ she is chat uping by stating two things at one time. she is doing the work forces think is she speaking about looking for Curley or is she speaking about looking at the work forces and stating they can’t fault her for looking. She is giving the work forces assorted messages.