William Shakespeare’s ill-famed calamity. Romeo and Juliet. is set in fifteenth century Verona ; a town torn between the choler. force. wrangle and competition of two esteemed households. the house of Montague and the house of Capulet. Despite this. the drama is besides able to state the narrative of two star crossed lovers who find themselves caught between the discord. However this is non the lone key relationship which Shakespeare shows us throughout the drama ; a position on the relationship between work forces and adult females can besides be looked at during the duologue between Romeo and his cousin in Act One Scene One. Romeo’s initial love for Rosaline is a state of affairs that leads to the audience being able to deduce much about how Shakespeare wants to portray the relationship between work forces and adult females. The state of affairs is one that shows the adult female being wholly absent from a state of affairs that surrounds her ; her name is non even reference. certainly suggesting on the deficiency of any importance or regard from the Montague work forces to the opposite sex. Despite the fact that she is the topic. Rosaline has no say whatsoever and the audience ne’er does see nor hear from her.

Furthermore. the factor that she is going a nun. and hence chaste adds to the passivity of Rosaline’s overall character and thenceforth the position of adult females ; it clashes with the more powerful and dominant image of work forces that is so being portrayed by the characters of Romeo and Benvolio as they are entirely the 1s that discuss the love. and more significantly what action should be taken. instead than Romeo and Rosaline. This may demo that Shakespeare is connoting that the adult female is undermined by the adult male. his wants and ideas are the lone 1s that we hear. intending that they are what Shakespeare considers to be of import for the audience to hear and see ; finally that the male is the primary figure and superior to the female. a stereotype that was really existing at the clip. It makes one think that. had the state of affairs had been reversed. we would non hold even heard of Rosaline’s love for Romeo. her holding been irrelevant for merely being a her.

Due to the pick of linguistic communication techniques that Shakespeare used when scribing Romeo’s ideas. we are besides able to deduce another point about the feeling that he intended to do sing the relationship between work forces and adult females. It is obvious to the audience that Shakespeare wishes to demo Romeo as melancholy. troubled and finally heart-broken at his bad luck with Rosaline through the emotional linguistic communication that he chooses for Romeo to state ; instead than merely holding Romeo admit to Benvolio about what has been disturbing him. he dances around the quandary and as he does so. uses some powerful linguistic communication that expresses the confusion and agony at the bosom of him ; he speaks of how “not holding that. which. holding. makes them { twenty-four hours } short. ” . every bit good as the imagination that comes to mind with lines such as “…a fire twinkle in lovers’ eyes. ”

This usage of linguistic communication ensures that we believe that Romeo is really much depressed. However. it does get down to suggest on farcical as the emotion that Shakespeare’s linguistic communication portrays is about surely excessively powerful for the state of affairs that it is being paired with. “Mis-shapen pandemonium of well-seeming signifiers! Feather of lead. bright fume. cold fire. ill wellness! ” are powerful oxymorons. that are intended to hit you right in the bosom and stir the emotions inside you that the character was experiencing. and they do ; yet. the fact that Romeo has ne’er even met Rosaline and does non cognize anything about her makes the state of affairs instead unrealistic as he is being so really emotional about. fundamentally. a alien. This facet means that when we do hear this ornate and showy linguistic communication from Romeo. it gives the feeling that he is merely being extraordinary and melodramatic. It hints on the thought of Shakespeare taking the Paddy out of his ain character. In bend. this could so take one to believe that he is demoing his antipathy in a male whom is weak or broken. and hence proposing that he is in penchant of the more stronger. independent an tyrannizing male stereotype ; hence him over dramatising Romeo’s suffering. for illustration with the usage of a chiasmus – “This love feel I. that feel no love in this. ” . utilizing clever word drama. which emphasises the key in it all. love.

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However. the ultimate consequence of this is slightly lost by the fact that it is non needfully love that Romeo is experiencing. instead a lecherousness for something he has simply seen ; he is more convincingly in love with the thought of love. than Rosaline. On the other manus. the manner I which Shakespeare has portrayed Rome can be viewed in instead a diverse visible radiation upon closer review. It may look like it is unpointed. Romeo merely trailing a lost cause nevertheless. the state of affairs does show a male quality that Shakespeare could be meaning to portray. As mentioned. the difference between the sexes is highlighted. as one being inferior and one more dominant and this can besides be translated into the state of affairs of a marauder and its quarry. When an carnal finds its quarry. that’s all it can concentrate on and it will non halt until it has what it wants. The fact that Romeo refuses to bury about Rosaline one time he has set his sights on her supports this ; she is his quarry and regardless of how small opportunity he will acquire her. he will go on to run his quarry.

Therefore. within the disturbance. melodramatic public presentation. there is the clad deeper significance which shows the one time once more. powerful and in control side of the male that Shakespeare wishes to set across ; that. within a female and male relationship. it is the male chasing and feeding upon the female quarry. which. as in Rosaline’s instance. fails to hold any say. Overall. the duologue between Romeo and his close cousin Benvolio in Act One Scene One displays a immense assortment of both powerful and contrasting positions and suggestions refering the relationships between work forces and adult females. William Shakespeare is smartly able to both portray the failings every bit good as possible arms which both the sexes have and with this. the relationship between the two that he intends to demo.

It is clear from his specific linguistic communication picks and puting out of the scene that Shakespeare wants to. early on in the drama. demo the strong distance between males and females. the divide between the strong and empowering males who hold the power and run the show. and the image of the silent and slightly weaker female that is to be governed by the work forces. All in all. the feeling is one that suggests the work forces are in control. that the work forces are playing up to their stereotype of tyrannizing and almighty males. with the females merely a soundless and absent necessity. It is a instead interesting feeling to enforce at the beginning of a drama. in which a adult females breaks off from what is expected of her and shows equal outgoingness and independency as the adult male. However. holding this suggestion posed at the beginning does let the point of Juliet’s power to be more obvious in the drama subsequently on.

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