Genevieve Taggard: Biographic Note Essay, Research Paper
Born in Waitsburg, Washington, Genevieve
Taggard grew up in Hawaii where her missional parents had built and ran a big
“ multi-cultural ” school. A scholarship allowed her to inscribe at the University
of California at Berkeley, from which she graduated in 1919.
Taggard moved to New York City in 1920. She worked foremost for the of import modernist
publishing house B.W. Huebsch and so in 1921 started her ain diary, the Measure, with
a figure of other immature authors, including Maxwell Anderson. That same twelvemonth she married
novelist and poet Robert Wolf and gave birth to her lone kid, Marcia. In 1922, Harper
Brothers put out Taggard & # 8217 ; s first book of poetry, For Eager Lovers.
During the 1920s Taggard moved in Greenwich Village Bohemian circles. She edited a
poesy anthology May Days, which selected poetry published in the extremist diaries The
Multitudes ( 1911-1917 ) and The Liberator ( 1919-1924 ) . In the anthology she included
her ain verse form “ With Child, ” which foremost appeared in The Liberator in
December of 1921. While she considered herself a socialist of all time since her school yearss in
Berkeley, she characterized her verse form from this period as concerned with chiefly
domestic issues. In the late mid-twentiess Taggard taught at Mt. Holyoke, where she began a
life of Emily Dickinson. The Life and Mind of Emily Dickinson was
published in 1930 and reprinted in 1934. Taggard traveled to Majorca in 1931on a
Taggard became a different poet in the 1930s. The Depression & # 8217 ; s tremendous
desolation was felt about everyplace. Peoples banded together, and a new societal
consciousness was forged among creative persons. Taggard had become a conducive editor of the
Marxist diary The New Masses, in which a figure of her verse forms appeared, and for
which she besides wrote articles and reappraisals. As proletarian literature became a distinctive
literary pattern during this clip, Taggard & # 8217 ; s poesy every bit good explored political
capable affair such as labour work stoppages, category and race bias, and poesy as an elitist
pattern ; she besides extended her geographic expedition of feminist issues to include the particular
jobs faced by propertyless adult females. She makes her grade most comprehensively as a societal
poet in her 1936 aggregation, Naming Western Union. This text includes such verse forms
as “ Everyday Alchemy ” ( originally published in For Eager Lovers ) ,
“ Mill Town, ” and “ Up State & # 8211 ; Depression Summer. ” Taggard frames the
aggregation with the memoir “ Hawaii, Washington, Vermont. ” She draws connexions
between the battles of her early old ages and the poorness and weakness she witnesses
daily in the landscape of the American Depression.
Divorced from Robert Wolf in 1934, Taggard married journalist Kenneth Durant in 1935.
Around the clip of her matrimony to Durant, she bought a farm in East Jamaica, Vermont.
The Vermont landscape wedded in both beauty and poorness became another beginning of
inspiration for her authorship. She besides taught for a clip at Bennington College, but became
a module member at Sarah Lawrence in 1934. She remained at that place until she was instead
suspiciously forced to retire in 1947.
Throughout her life Taggard was involved in a figure of causes and organisations
runing from the Committee for the Protection of the Foreign Born, the United Committee to
Aid Vermont Marble Workers, and the North American Committee to Aid Spanish Democracy. She
was a member of the New York Teachers Union, the executive council of the League of
American Writers, and the U.S.-Soviet Friendship Committee. She besides served on the
editorial commission of Young People & # 8217 ; s Records, which was a topic of examination during
the McCarthy period.
Taggard was interested in wireless as a forum for poesy and read her verse forms over the
air. She was besides interested in composing for music, and her verse forms appeared in
composings by William Shuman, Aaron Copeland, Roy Harris, and Henry Leland Clarke. In Long
View ( 1942 ) , Taggard continued her preoccupation with societal subjects as found in such
verse forms as “ Ode in a Time of Crisis ” and “ To the Veterans of the Abraham
Lincoln Brigade. ” She farther explored her musical involvements as good by observing
autochthonal American music in her four-part poem rhythm “ To the Negro People. ”
Sing Taggard & # 8217 ; s instead short lived calling & # 8211 ; she died at age fifty-three of
complications from high blood force per unit area & # 8211 ; she was unusually fecund. She published
13 books of poetry, including a choice of her early work, Traveling Standing
Still ( 1928 ) and Collected Poems 1918-1938 ( 1938 ) . She edited four books,
including Circumference: Assortments of Metaphysical Verse, 1459-1928 ( 1929 ) and her
life of Emily Dickinson. None of her books are presently in print.
By Nancy Berke