Shelly produces a fantastic piece of sarcasm in Ozymandias. When looking at Ozymandias we should look at the Greek dislocation of the name. “Ozy comes from the Grecian ‘ozium. ’ which means to breath. or air. Mandias comes from the Grecian ‘mandate. ’ which means to govern. ” notes Biterman in his analysis of the verse form. The fact that the derived function of the great Ozymandias’s name is Ruler of Air is where the sarcasm begins. When one looks upon what was written on the base of the statue and so to what has become of that statue and all that surrounds it one sees how dry that name truly is.
It is easy to get down from the lettering on the base of the statue as it gives us the best penetration into the adult male it represents. ‘My name is Ozymandias. male monarch of male monarchs: Look on my plants. ye Mighty. and desperation! ( lines 10-11 ) ’ This quotation mark infers his belief that no 1 will of all time excel his plants. One might even reason from this that he would even dispute God himself. We so can travel back and expression at how Shelley described the statue. His description tells us what status God leaves the theoretical account of this mocking sap: “Two vast and trunkless legs of rock Stand in the desert. Near them. on the sand. Half sunk. a tattered countenance lies. whose frown. And wrinkled lip. and leer of cold bid. ( lines 2-5 ) ” The status of the statue in itself shows that Ozymandias was non the greatest swayer there of all time was.
In looking at the status of the statue and his words after you truly do see the sarcasm of the state of affairs. All which this great male monarch accomplished and what he one time was has eroded into the sand go forthing nil but “two huge and trunkless legs of rock. ” God allows merely the legs and words to stand so that he might turn out a point. The point Shelly tried to raise in the verse form was that God will outlive all those who attempt to do a jeer of him.
Shelly writes. “Tell that its sculpturer good those passions read Which yet survive. stamped on these exanimate things. The manus that mocked them. and the bosom that Federal. ( lines 6-8 ) ” On this point I would hold to hold with Joe Kelly in his belief that Ozymandias’s bosom Federal on the passions of his people. If he had nurtured his people alternatively of suppressing them their passion would hold been with keeping his memory. alternatively of destructing it.
There is a great trade of sarcasm in Ozymandias’ shattered countenance on the sand. The male monarch who so terrified those he commanded for so long no longer has any power. yet. his face still tries to rule all he sees. The very actions that brought to him a period of glorification besides brought the devastation of what he worked so watchfully on. Once finished the reader can look back and recognize how dry the full state of affairs is ; at one point this swayer was ( or believed himself to be ) the most powerful adult male to hold of all time lived. and now people look at his lifeless shrine and recognize the truth. Equally long as this verse form goes on being read Ozymandias will populate on.
Biterman. Aaron J. ” Analysis of Ozymandias. ” Dec. 2000. 23 Mar. 2003.
Kelly. Joe. ” Mighty Works in Shelley’s “Ozymandias” . ” 23 Mar. 2003 & lt ; hypertext transfer protocol: //www. cofc. edu/~kellyj/explication. hypertext markup language & gt ; .