Robert Frost Essay, Research Paper

Frost, Robert

Robert Frost, possibly the greatest American poet of the 20th century, has brought himself great acknowledgment. Many critics have tried to happen a defective side to his authorship, but they have had a hard clip because his composing & # 8220 ; romanticizes the rural simpleness that he loved while examining into the enigmas of the existence ( Estep 2 ) . & # 8221 ; Three countries of unfavorable judgment covered are: a talker & # 8217 ; s determination in choosing, a verse form broken down into three subdivisions, and Frost & # 8217 ; s usage of metaphors and manner in his authorship. Born in San Francisco, but raised in New England, many of Robert Frost & # 8217 ; s verse forms are representations of his experiences in the northeasterly parts of America. He was unsuccessful in college ne’er gaining his grade, and for several old ages he supported his household by be givening to a farm his gramps bought for him. In his trim clip, Frost would read and compose anything and everything. Discouraged by his unsuccessful life as a poet, he packed up his bags and moved to England. He continued composing and published his first two books of poesy, which would derive him the acknowledgment in America he had been in hunt of ( ExpLit 1 ) . One of Frost & # 8217 ; s most celebrated verse forms is & # 8220 ; The Road Not Taken. & # 8221 ; This verse form is about person who comes to a fork in a way. One way is good beaten and treaded, while the other is less traveled and more hard. Is the traveller happy with the determination he has made to take the route less traveled? Many critics think he may hold had 2nd ideas. Magill & # 8217 ; s Survey of American Literature states that there are many contradictions throughout the verse form, & # 8221 ; He seems to belie his ain judgement. The poet appears to connote that the determination is based on grounds that is, or comes near to being an allusion & # 8221 ; ( Magill 64 ) .The tone of the stanza and the rubric of the verse form suggest that the traveller may be repenting his pick because by doing a pick to make one thing you have to give up the chance to make another ( Magill 74 ) . & # 8220 ; I kept the first for another twenty-four hours! I shall be stating this with a sigh. & # 8221 ; Detecting Writers Modules agrees with other critics. & # 8220 ; Is he genuinely happy with his pick? & # 8221 ; The traveller doesn & # 8217 ; t of all time straight say he was happy with his pick, so is he satisfied? In the verse form it states, & # 8221 ; and that has made all the difference, & # 8221 ; but has it made all the difference in a positive manner ( DAM 2 ) . & # 8220 ; Frost besides probes one of the great enigmas of life: the ability to take and the effects of taking & # 8221 ; ( DAM 2 ) . The Literary Caf besides has similar thoughts on the verse form. After the traveller has chosen which way to follow, he still yearns to go both waies, stating that he & # 8217 ; ll & # 8220 ; maintain the first for another day. & # 8221 ; But, so he realizes that there is no return to the other way and that the concluding determination has been made. At the terminal of the verse form the traveller suspiration, but is he suspiring because he is satisfied with his determination or because he may repent something about taking the way that he did ( LitCaf 1 ) . Another celebrated verse form by Robert Frost is & # 8220 ; Birches. & # 8221 ; It is a verse form about the manner the subdivisions on a birch tree crook in the winter. Many critics think the verse form is divided into three basic parts. & # 8220 ; An Interpretation of Frost & # 8217 ; s Birches & # 8221 ; thinks the three parts are the scientific account of the visual aspect of the birches, Frost & # 8217 ; s boyhood phantasy about their visual aspect, and his present twenty-four hours reading of their visual aspect. The first subdivision is of the natural ways a subdivision would flex and check because of conditions. & # 8220 ; Loaded with ice a sunn

y winter morning after a rain.” The second is more of how the branches would bend because of a little boy swinging on them. “By riding them down over and over again until he took the stiffness out of them.” Then in the third section Frost expresses how the tree reaches toward heaven and brings back memories of his childhood. “And climb back branches up a snow-white trunk Toward heaven.” Magill has also noticed the three sections but in a slightly different format, saying, “It can be separated into three almost equal parts: the observation and description of trees bent by winter storms, the recollection of techniques of birch swinging, and the grown man’s dream, energized by his awareness of claims of both “earth” and heaven” (Magill 69). Magill also notices the many comparisons in “Birches.” There is that of childhood and manhood, black and white colors of the branches, and maturity and early experience. Discovering Authors Modules wasn’t quite as direct as other sources, but they have the same idea. “The speaker in ‘Birches’ wonders whether a bent birch branch was cause by a child at play or by natural elements and metaphorically links tree-climbing with aspirations or heaven (Magill 72). This poem is broken down easily into the three sections and Frost uses a creative approach to compare the branches on a birch tree to a man remembering his boyhood experiences (Magill 74). Frost’s poems have been criticized as a whole because they are all so similar in his style of writing. His use of imagery and metaphors along with stanza and meters is what makes his writing so unique and remarkable. His writing is able to represent things so much larger that the actual words can represent that sometimes critics don t even see the purpose. His poem “The Road Not Taken isn’t but just four stanzas long, but what it represents is enough to make someone rethink the kind of lifestyle they are leading and to take the road “less traveled by.” Lawrence Thompson, Frost’s biographer, states ” No themes are more universal and attractive than those which try to offer affirmative resolutions for the conflicts dramatized in his life and his poetry.” In Frost’s poem “Departmental” he writes of how people treat death and the dead by comparing us to something so small as ants carrying off one of their dead. This comparison shows the reader how that even if death is so common, it should still be treated with respect and dignity (Turpin and McCann 317). “Frost’s poetic technique derives from the most basic factors in literature, the factors that characterize the first great literary age of European culture, drama, and metaphor, and beyond that, it has shown remarkable results in practice (APMRF 2).” One poem by Robert Frost, “Fire and Ice,” compares how fire and ice both have the ability to destroy the world and should therefore be treated as equals. This comparison can relate to so many everyday events it is unimaginable. Discovering Authors Modules noticed Frost’s use of metaphor in “Birches”. “The speaker metaphorically links tree-climbing with aspirations for heaven (DAM 2). “And climb black branches up a snow-white trunk Toward heaven.” Frost is without a doubt one of the greatest poets of the twentieth century. His goal in life he once said was to write “a few poems it will be hard to get rid of” (Winnick 1). It can be said that he probably surpassed his goal. Robert Frost’s life has affected his poetry and his poetry has also affected his life and the lives of many others who have come to enjoy his fine writing.

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