Sound And The Fury Essay, Research Paper
THE SOUND AND THE FURY William Faulkner & # 8217 ; s background influenced him to compose the unconventional novel The Sound and the Fury. One of import influence on the narrative is that Faulkner grew up in the South. The Economist magazine provinces that the chief beginning of his inspiration was the passionate history of the American South, centered for him in the town of Oxford, Mississippi, where he lived most of his life. Similarly, Faulkner turns Oxford and its environments, & # 8220 ; my ain small postage cast of native dirt, & # 8221 ; into Yoknapatawpha County, the fabulous part in which he sets the novel ( 76 ) . In add-on to scene, another influence on the narrative is Faulkner & # 8217 ; s ain household. He had three brothers, black retainers, a female parent whose household was non every bit distinguished as her hubby & # 8217 ; s, a male parent who drank a batch, and a grandma called Damuddy who died while he was immature. In comparing, the novel is told from the point of position of the three Compson brothers, shows the black retainer Dilsey as a chief character, has Mrs. ! Compson complain about how her household is beneath her hubby & # 8217 ; s, portrays Mr. Compson as a alcoholic, and names the kids & # 8217 ; s grandmother Damuddy who besides dies while they are immature. Possibly the most of import influence on the narrative is Faulkner & # 8217 ; s instruction, or deficiency thereof. He ne’er graduated from high school, allow entirely college, and in ulterior life wryly described himself as & # 8220 ; the universe & # 8217 ; s oldest 6th grader. & # 8221 ; He took repetitive pride in the pre-intellectual character of his creativeness, and one time declined to run into a deputation of distinguished foreign writers because & # 8220 ; they & # 8217 ; vitamin D want to speak about thoughts. I & # 8217 ; m a author, non a literary adult male & # 8221 ; ( 76 ) . In composing The Sound and the Fury, Faulkner pays no attending to normal literary work. He frequently uses incoherent and irrational phrases to convey the reader into the heads of the characters. This background, together with a credible secret plan, converting word picture and of import literary devices enables William Faulkner in The Sound and the! Fury to develop the subject of the arrested development of the household. The construction of The Sound and the Fury leaves much to be desired. First of wholly, the clip sequence is helter-skelter and merely leads to confusion. The first subdivision is told from the point of position of a 30 three twelvemonth old imbecile, Benjy Compson, who can state no difference between the yesteryear or nowadays. The Benjy subdivision is really hard to understand because the slightest incident can trip a memory from him and wholly replace what is go oning in the immediate clip frame. For case, the first leap in clip occurs on merely the 2nd page of the book when Luster says, & # 8220 ; Cant you ne’er crawl through here without snagging on that nail. & # 8221 ; Benjy automatically thinks back to when he went with Caddy to present a missive to Mrs. Patterson and got stuck on the fencing near Christmas. When Caddy says in the same memory, & # 8220 ; You don & # 8217 ; t desire your custodies froze on Christmas, do you, & # 8221 ; Benjy thinks of an earlier incident when Caddy tried to convert Mrs. Compson to allow him come outside with her ( F! aulkner 4 ) . The following subdivision, told from Quentin Compson & # 8217 ; s position, is as every bit perplexing. Since Quentin has decided to stop his life, he reminisces about his yesteryear and the ground he chose to decease. The ground is his sister & # 8217 ; s act of criminal conversation. Whenever he is reminded of events that have to make with his sister & # 8217 ; s wickedness, he besides goes back in clip. When Quentin is believing about how good the conditions will be for the Harvard boat race in June, the month of brides, he thinks of Caddy & # 8217 ; s nuptials twenty-four hours. He so thinks of the roses at her nuptials and of seeking to convert his male parent that he committed incest with his sister ( 77 ) . Another uncertainness in this novel is the deficiency of lifting action or flood tide. The book is told on Easter weekend, 1928, and gives the whole history of the household by reciting the events that occurred in the heads of the characters. To get down, the first subdivision tells what will go on in the remainder of the novel in the signifier of Benjy & # 8217 ; s memories. It informs the reader Thursday! at Mr. Compson and Damuddy dies, Uncle Maury is holding an matter with a married adult female, Benjy gets castrated, and that Caddy gets pregnant, married, and so denounced by her household when she is left by her hubby. Since the first portion already tells what happens to the household, there is no suspense. The remainder of the novel is merely the same events retold from a different position. There is nil to look frontward to but the elucidation of the events that already occurred. The closest thing there is to a flood tide is when Quentin runs off with the money Jason stole from her. But, since neither of the characters are the supporter, the event is non a dramatic adequate alteration in the novel to be considered as a turning point. Finally, the privation of resoluteness makes the book seem wastes. The battle Caddy went through is indecisive. Caddy spent her whole life combating her parents to demo that their manner of life was sinful. Alternatively, she is the 1 who gets pregnant and trapped in a lo! veless matrimony, divorced from her hubby for holding an matter before him, and holding the girl she bore removed from her attention because she was deemed an unfit female parent. The last pathetic history of Caddy in the book is when she tries to acquire a glance of her girl Quentin, who subsequently runs off with a adult male from a going carnival ( 202 ) . Quentin & # 8217 ; s function in the book besides seems pointless. He tried to populate a fruitful life but merely succeeded in killing himself. He got so involved with his sister and her life that he forgot the value of his ain. After Faulkner meticulously describes how Quentin feels and thinks, he ends the character & # 8217 ; s life and shows no significance of what Quentin went through to the reader. Undoubtedly, Benjy & # 8217 ; s character seems the most nonmeaningful. The lone individual who showed any mark of love to him was his sister Caddy. He spent his whole life being shifted between people who merely thought of him as a load. In the terminal, he is sent to an mental institutio! N and is ne’er heard from once more. Therefore, the greatest fulfilment of The Sound and the Fury does non come from the the sequence of events, flood tide, or decide, but the grasp of the conflict each character battles. Caddy, Quentin, and Jason, each stand foring different elements of society, prove that being a Compson can merely take to a ineffectual life. Caddy & # 8217 ; s character represents the rebellious side of world. The first marks off her rebelliousness show when she is merely seven old ages old. When Caddy is playing in the subdivision, she squats down and gets her frock moisture. Even with all of the warnings from Versh and Quentin, she does non care if her parents find out. Alternatively, she takes off her frock in forepart of the retainers, and so dramas in the H2O. Even when Jason threatens to state on her, she tells him she does non care. In fact, she says she will state their parents herself ( Faulkner 17 ) . When she is older, about 18, Caddy commits her biggest act of noncompliance. She loses her virginity to Dalton Ames in an effort to deny everything her parents base for, even if it means losing something that she can ne’er acquire back. When she returns place from her day of the month, she avoids Benjy because she know! s that he can feel sexual alterations in her. In the yesteryear, he would ever groan and holler when he sensed that she was making something with a adult male that she was non supposed to make. All she had to make to do him halt was to rinse her face and oral cavity, but now she can non merely rinse her wickedness off, so she tries to remain off from H
im. Once he sees her, though, he starts to shout and force her to the bathroom in an effort to turn her back to normal ( 69 ) . Later in the book, Caddy is even willing to stop her life because she knows her parents will disapprove. When Quentin finds out that Caddy has lost her virginity, he wants her to perpetrate self-destruction with him. She readily accepts, and when he puts the knife to her cervix, she even tells him to do certain he pushes difficult ( 152 ) . While Caddy represents rebellion, Quentin portrays ethical motives because of his compulsion with his sister’s wickedness. When the narrative is told from his point of position, it is filled with his ideas of her and the work forces in her life. In! his head, he goes over the times when he confronted Dalton Ames and Herbert Head, his father’s casual sentiment about her wickedness, and the times when he talked with her about it ( 76 ) . Another illustration of Quentin’s arrested development on his sister is when he tries to acquire her to perpetrate self-destruction with him. He is so deranged over her loss of moralss that he wants to stop it all for both of them. He can non populate in a universe without societal Torahs, and he feels that Caddy should decease besides because she has broken them. After she accepts his offer, though, he does non kill her because it would merely do more pandemonium ( 152 ) . In the terminal, nevertheless, he does perpetrate suicide to get away from a universe without ethical motives. When he wakes up in the forenoon, he dresses in his best suit and writes two letters in an effort to acquire his last personal businesss in order. He so lets every portion of his sister’s misdemeanor rematch over and over in his head before he ends his life ( 76 ) . Ultimately, Jason depicts the corrupt part of society. Hydrogen! e gets pleasance from doing other people torture. When Luster wanted to travel to the show one dark Jason offered to sell him the tickets that he was non traveling to utilize anyhow. He knew that Luster had no money, so he held out the tickets to tease him. When Luster said he could non pay for it but asked him to allow him hold it since he was non traveling to utilize it, Jason burned the tickets in forepart of him ( 254 ) . Furthermore, Jason is willing to steal to achieve what he wants. When Caddy sends him money to take attention of Miss Quentin, he pretends to fire the cheques, claming he will non accept money from her. Alternatively, he keeps the money to utilize for himself and his kept woman ( 219 ) . Finally, Jason feels no ties to anyone. He does non care whom he hurts every bit long as he gets what he wants. Jason even sent his ain brother Benjy to an insane refuge in Jackson because he was ashamed of him. He grew weary of his moaning and sent him off to where he could non trouble oneself him any longer ( 222 ) . Theref! ore, in fighting to deny and get away the universe of the Compsons, Caddy, Quentin, and Jason are each doomed to populate their lives in vain because there is no hedging the household expletive. The mixture of literary devices in The Sound and the Fury give a rare and personal position of the characters. Point of position is one of the most of import methods used because it shows each character from different positions. Benjy is nonjudgmental and shows each character from the base point of person who is non personally involved. Through him, each character is shown strictly for what they do and state. Quentin’s position is different from the fact that he is more punctilious. He sees every mistake that each member of the household makes. He dwells on the seamy side of life, so each character is shown for their envious side. For case, the lone position we get of Mr. Compson is from Quentin. Since Mr. Compson does non populate by principals, Quentin is the most likely individual to brood on him. Jason gives the last personal position of the narrative. He is egoistic so he merely thinks of people by the manner their Acts of the Apostless affect him. Through his eyes, every character is seen as junior-grade and usel! einsteinium unless they serve his intent. When he spoke of his kept woman he said, “I’ve got every regard for a good honest prostitute, ” but when he calls Miss Quentin a “little prostitute, ” the regard is evidently left out. By utilizing contrast and foils each character’s personalities are seen more clearly. Mrs. Compson and her girl, Caddy, are two really different people. Mrs. Compson is lazy and self-pitying. She exaggerates little jobs and switch her duties onto the black retainers, so complains that they don’t do it rapidly plenty ( 59 ) . On the other manus, Caddy is really strong and independent. She took attention of herself and her brothers when Mrs. Compson laid in bed. While her female parent attentions for visual aspects, such as ever maintaining Benjy off from the company, Caddy becomes a female parent figure to him and takes him everyplace with her. Quentin and Jason besides contradict each other. Quentin is really sensitive about the universe around him. The really act of perpetrating self-destruction because of! what his sister did goes against everything Jason believes in. Jason can merely believe of himself and would ne’er woolgather of doing such a drastic forfeit for person else’s error. The lone feelings he has toward his sister are those of hatred because she cost him a occupation at her ex-husband’s bank. Dilsey and Maury Bascomb counter each by the functions they play in the household. Dilsey helps maintain the household together and in order. She even buys Benjy a birthday bar and takes him to church with her when everyone else ignores him. Unlike Dilsey, Maury does nil utile. He lives with his sister’s household and refund them by utilizing their money for spirits and directing their kids to present letters to Mrs. Patterson, a married adult female he is holding an matter with. The technique that most defines the novel is Faulkner’s usage of watercourse of consciousness. This technique allows Benjy’s true ideas to demo. Through his head, it is possible to demo what his restrictions are. The reader! gets to see how Benjy associates words and objects through his simple contemplations. The first happening is when the people playing golf call for their caddie and Benjy remembers his older sister ( 3 ) . By utilizing watercourse of consciousness, Jason is shown for who he truly is. All of his narcissistic, greedy, and grandiloquent ideas are shown in item. When he thinks approximately is brother Benjy “running up and down the fencing, bawling like a cow, ” there is no misidentifying his deficiency of compassion for others ( 222 ) . This method proves the most utile in Quentin’s subdivision. Since it is difficult to grok why most people commit suicide, this manner proves priceless by giving a true first manus expression. Even though it is hard to understand, the shredded fragments of different conversations can be pieced together to give a precise ground why he justified such an utmost step. If nil else, this fresh gives the complete facet of each character’s head and personality. This background, together with a credible secret plan, converting word picture, and of import literary devices, enables William Faulkner in The Sound and the Fury to develop the subject of the arrested development of the household. The lone intent of this subject is to do the narrative seem more tragic. Faulkner makes no effort to reform the characters in the book, which gives the reader the feeling that the characters are condemned by their environment and heredity. In bend, it makes any effort at betterment in existent life seem useless. He succeeds in doing The Sound and the Fury ill-famed with doomed, hopeless, and irreclaimable characters. Even though the book is filled with sedate hardship, it is worthwhile because of the memorable characters and the author’s alone manner of authorship.
Dont truly have one, sorry