It may non be obvious at first. but all the narratives are structured in several ways and with purpose. In other words. this is called narrative construction and this can be described as the structural model that underlies the order and mode in which a narration is presented to a reader. Plot is what happens in a narrative. and construction is the order in which the novel presents itself. and in our “Of Mice and Men. ” the construction has taken the form of a circle. both balanced and thoughtful. They are several ways the John Steinbeck has approached to developing the narrative secret plan nevertheless the alteration in scene is one structural division that clearly shifts the venue.

So one asks. what is puting? Puting foreshadows the character’s province of head. struggle ; it besides contributes to noticeable forms in the narrative. In Steinbeck’s Of Mice and Men. there are several scenes in the narrative which farther enhance the secret plan and each of the scenes are in the signifier of a circle as the gap scene falls in the hayfield which leads to the bunk house so to the barn and so back to the hayfield. Another interesting characteristic of the novel is that each chapter besides has a round gesture. as each chapter starts with a thin description of the scene. much like a dramatist would make at the beginning of a drama scene. The first and last scenes have descriptions of nature and set the ambiance for action and in between are the entrywaies and issues of characters. The promotion of the displacements in each of the scenes clearly parallels the development and sweetening of the plot/story and the alterations in feelings and attitude that the characters encounter. The beggary of the narrative chiefly takes topographic point Steinbeck calls the “Meadows. ”

A calm beautiful topographic point with rivers and mountains in the distance dotted with sharp aureate foliages ( pg 1 ) . This is where the narrative unfolds and besides comes to a declaration in the terminal. From here you can feel the clip of twelvemonth it is and it’s clear that it is fall as the foliages are aureate brown and cluttered all over the grass. During the meadow scene we get to cognize a fragment of George and Lennie’s yesteryear and this scene sets the foundation of George and Lennie’s aspirations and future programs each hope to carry through. Towards the terminal of the chapter. the writer gives another description of the hayfields but at dark with the “whispering of the lacewood leaves in a small dark breeze” ( pg 16 ) . The 2nd chapter starts with description of the bunkhouse as a ` and goes on to depict the inside of the edifice ( pg 17 ) . In this bunkhouse legion events take topographic point and are needed in order to come on the narrative and this is the foundation and puting where the several other characters are introduced one by 1. As clip goes by. relationships are made and interactions between one another return topographic point.

Curley and his married woman are besides introduced and they serve as of import characters every bit good as they are the 1s needed to arouse the important struggle in the narrative as we first acquire a glance of Lennie’s captivation with Curley’s married woman. The narrative so farther advancements as Curley so starts to battle Lennie as he feels that both him and George are concealing something. the other characters do assist but it can clearly be concluded that none of the bunkhouse “crew” like Curley and merely cover with him as he is the Boss’ “henchman” as he is the boy of the Boss. After a piece. all the characters leave the bunkhouse for supper go forthing Candy’s old Canis familiaris in isolation and Steinbeck once more describes the dog’s motions ( pg 37 ) . The debut of the 3rd chapter once more portrays the “evening brightness demoing through the Windowss of the bunk house” ( pg 38 ) . This scene is excessively set in the bunkhouse and this is where the George explains their yesteryear to Slim and besides confides in Slim about Lennie’s past troubles in Weed.

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This is the chapter besides in which a batch of boding occurs when Carlson gets ill of Candy’s old Canis familiaris. comparing the cur to Candy himself and decides to hit the old Canis familiaris ( pg 48 ) and this clearly foreshadows the reasoning declaration when George shoots Lennie to salvage him of his wretchedness. The narrative so moves frontward as the treatment of their aspiration of having a farming area leaks and is wanted excessively by Candy. Again in this bunkhouse at this clip of dark. another difference occurs between Lennie and Curley as they get into a battle nevertheless Lennie doesn’t fight merely until George told him to and by chance crushes Curley’s manus and this could bode the decease of Curley’s married woman. as it excessively was inadvertent. This leads to the 4th chapter which is introduced with yet once more another description of puting yet this clip of the Barnyard which is a important scene as this marks the 2nd major displacement in puting and besides because this is the really scene which so provokes the concluding declaration.

The narrative progresses frontward once more with the new locale scene along with the beginning of a new relationship between Lennie and Crooks which so leads to the visual aspect of Crooks cruel personality where he triggers George’s imaginativeness into believing if something bad of all time happened to George. However so Curley’s married woman belittles Crooks. as she makes it even more apparent so it already is that he is a Negro. Ahead of this. George returns and everyone leaves the barn go forthing Crooks in isolation which is so farther portrayed with a description of Crooks entirely in his barn using some lotion ( pg 83 ) . Chapter five clears with the barn and its description during the twenty-four hours clip. stacked high with new hay ( pg 84 ) . It so moves to where Lennie sits stroking a dead puppy which he by chance kills and once more this is another effort by Steinbeck to connote the prefiguration of a greater decease which is so subsequently on in the chapter revealed as Curley’s married woman.

He was in captivation with her soft hair nevertheless he starts to mess it up and Curley’s married woman does state him to allow travel but Lennie with panic appreciation the hair tighter and ends up killing her. John Steinbeck does seek to demo some understanding in two both conflicting characters Curley’s married woman and Crooks demoing the demoing the greatest and worst facets of understanding. The narrative so moves frontward as it reaches the boiling point. which so leads to the flood tide as depicted in chapter six. “The deep green pool of the Salinas River was still in the late afternoon. Already the Sun had left the vale to travel mounting up the inclines of the Gabilan Mountains…” ( pg 99 ) was the debut of the 3rd and concluding displacement in the narrative which leads us back to the hayfields among its lacewood leaves. This is the concluding scene where George finally reaches Lennie in their “hideout” much before the other crewmembers do. He so reminisces about their dream and finally shoots Lennie in the caput to set him out of his wretchedness.

This so is the concluding and ultimate decease that the narrative undergoes and in another sense. is sort of a alleviation as all these deceases have eventually been put an terminal to. Steinbeck uses structural divisions in this novel to great usage as he utilizing his round construction to bring on alterations in puting and locale along with the development of his characters and in the terminal he clearly ends up come oning the narrative frontward. The narrative started in the hayfields. moves on to the Bunkhouse. which so leads to the Barnyard and in the concluding decision and flood tide. finally returns to the Meadows. This alone sense of division through the usage of puting clearly stimulates the narrative.


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