In the transition from The Bluest Eye. written by Toni Morrison. the writer writes about hard challenges that non merely the immature misss in the book have to confront but everyone of that clip has to digest. Taking topographic point in the 1940’s the writer uses many stylistic devices to show life at the clip. such as The Great Depression. and the realisation immature misss turn up to happen. The early 1940s brought about the terminal of The Great Depression go forthing the state in economic convulsion. Turning up in this clip could non hold been easy households were disconnected apart in hunt for occupations. and nil would turn on the dry evidences.
In the transition Claudia reflects over a clip in the life when she remembers nil would grew and holding to confront hard challenge of turning up. The transition starts with Claudia stating “there were no marigolds in the autumn of 1941” an allusion to the stoping of The Great Depression. a clip of economic adversity. started by the chaff market clang and the deficiency of harvest yielded. Claudia reflects back now understanding what was go oning stating “our seeds were non the lone 1s that did non sprout” .
Claudia continues on acknowledging “ but so profoundly concerned we were with the wellness and safety of Pecola’s baby” ; explicating that Claudia and her sister planted marigold. thought that if they sprouted it would convey about the safe and healthy bringing of Pecola’s babe. The writer uses a popular quilocial symbolism of the South at the clip to convey the “magic” Claudia and her sister are trying to convey approximately ; “we could believe nil but of our ain thaumaturgy ; if we planted the right seed and said the right words. everything would be alright.
It was common in the South at the clip for the blooming of marigolds to stand for life. the writer uses this quiloquial symbolism to do the reader understand the “magic” the immature misss thought they possessed. In the last portion of the transition the writer uses a smilie to convey Claudia’s now mature vision of what happened. Claudia says “we had dropped our seeds in our small secret plan of black soil like Pecola’s’ male parent had dropped his seeds in his ain secret plan of black dirt” . This simile conveys that Claudia now understands that Pecola’s father impregnated his girl. comparing it to her seting the marigolds.
In the following line the writer uses a crisp apposition comparing the misss artlessness and Pecola’s male parents lust. many people after the Depression were left overwrought confronting mental unwellness ; Pecola’s Father is a presentation of the unstable mental province of many people at the terminal of the 1940’s. Claudia realized that non everything in life was charming and would ever be ok. he artlessness was lost with this realisation. like many immature misss coming to footings with this same realisation. many of whom had ne’er faced economic adversity.
Claudia reflects for the last clip stating her artlessness was lost and all that was left was the “unyielding earth” . Like many misss her age she realizes in the terminal that non all people are good. and things are non ever traveling to be ok. this loss of artlessness helped her to turn and maturate. Following The Great Depression the state lay in an economic reaction that brought about desperation and loss of hope for many people.
This desperation made many people mentally unstable. up until so many immature misss had non had the opportunity to see this type of adversity. like Claudia the were forced to turn up in order to last. Claudia’s narrative is a representation of the battles a immature miss faced turning up in the 1940’s. It was a clip when childhood fairy tales were exposed go forthing the whole state feeling as if they had lost some of there artlessness every bit good. The Earth did non produced as it ever had throwing the delicate stock market out of balance. no marigolds bloomed for United States in the 1940’s.