“Rules of the Game” written by Amy Tan is a short narrative that focuses on the struggle in individuality that Chinese Americans face when turning up with influences from both the civilizations. The physical and societal scenes of “Rules of the Game” create an ambiance which helps to convey out the true kernel of the narrative. Amy Tan’s “The Rules of the Game” becomes more than a immature girl’s success at playing cheat when juxtaposed against the humbleness of immigrant life in San Francisco’s Chinatown. Cultural tradition. physical milieus and the game of cheat are all elements of the physical and societal scene which contribute to the significance of the narrative. The narrative takes topographic point in Chinatown. San Francisco. This is where the chief character. Waverly Topographic point Jong. lives with her household. The physical scene reflects the coexistence of the American and the Chinese civilizations. The immigrant scene exposes the cultural clang between the Chinese American miss and her traditional female parent. The description of the two-bedroom flat above a Chinese bakeshop where Waverly lives with her household serves to specify the low fortunes of her childhood.

“Rules of the Game” depicts the period of 1950’s. Waverly provinces that “I was seven harmonizing to the American expression and eight by the Chinese calendar. I said I was born on March 17. 1951” ( 1425 ) . This furnishes a better apprehension of the prevailing fortunes in which the narrative takes topographic point. In the late 1950’s Chinese – Americans had a rough life in America due to Chinese in-migration Torahs ( Schauer. Gates 7 ) . It explains Waverly’s mother‘s hostile attitude towards Americans. The physical scene throughout the narrative is a channel which provides an penetration into the battle which immature Chinese Americans face in an effort to voyage both the traditional Chinese civilization and the melding civilization of Chinese Americans. From the “warm. clean two-bedroom flat” ( 1423 ) where Waverly lives. to the “small. sandlot playground” ( 1424 ) and the “First Chinese Baptist Church at the terminal of the alley” ( 1425 ) the scenes depict Waverly as a typical kid. She is prone to mischief but tempered by subject. Ironically. rolling from this subject leads to Waverly’s success in cheat. Her brother is told to throw the cheat set off but he does non obey their female parent.

A roundabout way on the manner place from school consequences in Waverly meeting Lau Po. who teaches her the finer points of the game. As Waverly gets involved in tourneies further from place. her trophy shows move from her place to the bakeshop window. typifying her advancement off from acquaintance towards popularity. Waverly’s individuality is linked to her milieus. Her name is the name of the street she lives on. The back street behind the edifice where she lives serves to foreground Waverly’s altering attitudes. Waverly wantonnesss her childhood hangouts surrounded by other kids for clip with her chess board. This alteration emphasizes her integrating into a larger universe. Looking at the passages from the back street to the life room and the Christmas party at the church. to the tourney auditorium non merely shows Waverly’s growing and battle for independency. but besides her mother’s finding to continue Waverly’s pride in her heritage.

The function of cheat as a scene in the narrative presents an analogy with Waverly‘s life. She uses her new cognition of “weaknesses and advantages” ( 1426 ) to spur her female parent into leting her to vie for the first clip. She continues to press her advantage. acquiring the sleeping room to herself and call on the carpeting her female parent for watching her pattern. In the chess game of life. nevertheless. Waverly underestimates her opposition ( daltonkr4 ) . In the concluding conflict with her female parent. It is her mother’s learning that corners her and she must return to the world of her flat ; “the back streets contained no flight routes” ( 1430 ) . In the story’s concluding scene she imagines herself lifting “above the alley” ( 1430 ) . Waverly discoveries that she is entirely and lifting above her beginnings on Waverly topographic point which by no agencies consequences in the coveted victory. The physical and societal scenes portrayed in Amy Tan’s “The Rules of the Game” enables the narrative to emerge as more than the birth of a kid prodigy. Thus they make the narrative more profound.

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Bausch. Richard and Cassill. Ronald Verlin. The Norton Anthology of Short Fiction. New York: W. W. Norton. 1986. Print.

Online Beginnings
“Rules of the Game. ” Honors EnglishI – . N. P. . n. d. 24 June. 2009 Web –accessible electronic diary article
“The Rules of the Game” — Michael Schauer. Nick Gates. ” English / . N. P. . n. d. 2 Feb. 2010


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